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Japanese billionaire space tourist Yusaku Maezawa is putting one of his Basquiat artworks up for sale, an auction house has said, hoping for around $13 million profit on the piece.

The 16-foot-wide "Untitled" 1982 by Jean-Michel Basquiat will be sold on May 18 for an estimated price of around $70 million, auction house Phillips said in a statement on Monday in New York.

That would make Maezawa a tidy profit on the artwork, which he purchased in 2016 for $57.3 million.

The mega-rich founder of Japan's largest online fashion mall said in the statement that the past six years of owning the painting were "a great pleasure".

But art "should be shared so that it can be a part of everyone's lives," he added.

Ahead of its sale, the massive artwork will go on international tour, being displayed in London, Los Angeles and Taipei, the statement said.

Maezawa, who in 2017 set a new auction record for Basquiat works when he paid $110.5 million for another painting by the 20th century giant, also said he plans to create a new museum to exhibit his collection.

He founded the Contemporary Art Foundation in Tokyo and was on the 2017 list of "Top 200 Collectors" by the ARTnews magazine based in New York.

He has been in the headlines more recently for becoming the first space tourist to travel to the International Space Station with Russia's space agency.

His odyssey is believed to have cost around 10 billion yen ($87 million), and he plans to follow it up with a trip around the Moon organised by Elon Musk's SpaceX.

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Dior's show at Paris Fashion Week  struck a sombre tone, with designer Maria Grazia Chiuri telling AFP her focus on combining "beauty and protection" was apt for a time of war.

The collection was put together long before the Russian military began bombarding Ukraine last week.

But with Dior's models sporting a range of protective gear -- from shoulder pads to airbag corsets to tops that looked distinctly like bulletproof vests -- it was hard not to think of the news from eastern Europe.

Even before the Ukraine conflict, "the world was already at war", said Chiuri, Dior's artistic director for women, ahead of the show.

"Covid was another form of war. We have all experienced some very difficult months," she said.

"There is a lot of reflection, in these difficult times, about how to combine beauty, aesthetics and protection."

The 58-year-old Italian designer said her latest creations were aimed at finding technical solutions that can be more functional for women's bodies.

They included a high-tech reworking of Christian Dior's most iconic creation, the Bar jacket.

In collaboration with an Italian motorbike accessories firm, D-Lab, the new jacket has its own internal heating system, combined with padded hips that give it a hypersexualised, futuristic look.

"Clothes are themselves a form of protection... they reassure us. That aspect is very present in what I do -- emotional protection as well as protection in its proper sense," she said.

A committed feminist, Chiuri sees the current crisis as further proof of the failings of a male-dominated society.

"The problem is cultural and patriarchal. There must be more women in decision-making positions. There would be fewer wars," she said.

The autumn-winter shows were supposed to mark Paris Fashion Week's return to near-normal, with almost all labels back to holding public events as pandemic restrictions ease across Europe.

But the war in Ukraine has cast a pall, with organisers issuing a statement on Monday urging attendees to experience the shows "with solemnity, and in reflection of these dark hours".

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Proudly donning majestic feathered headdresses, models sing an ode to the rain while a makeup artist draws geometric patterns on their faces, arms and thighs in preparation for Brazil's first-ever indigenous fashion show.

"It is a feeling of happiness and pride," 19-year-old model Moan Munduruku told AFP ahead of his turn on the catwalk in Manaus in the Brazilian Amazon.

"We are very eager to show our talent, in sewing, in crafts. To show the world that indigenous people can also succeed" in fashion, he said.

Moan is one of 37 models -- women and men -- representing 15 indigenous groups of Brazil to take part in the month-long Intercultural Exhibition of Indigenous Fashion in the Brazilian Amazon's largest city.

For the entire month of April, the catwalk is to host the creations of 29 indigenous designers.

"It's a form of resistance, a way to overcome stereotypes," event organizer Reby Ferreira, 27, told AFP.

"Here in Manaus, unfortunately, many people are ashamed or even afraid to recognize that they have indigenous blood. Our goal is for everyone to feel included and to show our culture to everyone through these clothes."

The designers use natural elements in their creations, including the spearlike teeth of the peccary -- an Amazonian boar -- the red guarana fruit, acai seeds and coconut shells.

The same geometric patterns sported by the models are repeated in the fabrics that envelop them.

"My outfit evokes the (coming-of-age) ritual of the Ticuna girl," said Kimpuramana, a 17-year-old model sporting a white dress adorned with black diagonal stripes.

On the runway, a presenter announces the ethnicity of each model and explains the symbolism behind the clothes and accessories they wear.

Saturday's show was hosted at the Rio Negro Palace, an early 20th century building that now serves as a cultural center.

"I feel privileged to have been able to attend such an event in this place. We are generally excluded from such sites. Today I can see my people telling their story through fashion," said participant Bianca Mura, 24.

As the models walked down the catwalk to appreciative applause, thousands of indigenous Brazilians gathered in the capital Brasilia some 3,500 kilometers (2,175 miles) away, for an annual mass camping event called Terra Livre (Free Land).

The gathering is both a rally for indigenous rights and a protest against the government of far-right President Jair Bolsonaro, who is in favor of opening indigenous reserves -- already hard hit by deforestation -- to mining and farming companies.

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Michelle O'Neill embodies a new generation of progressive Irish republicans, and will go down in history as the leader who won nationalists power in Northern Ireland for the first time.

The 45-year-old Sinn Fein politician, who on Saturday vowed to provide "leadership which is inclusive, which celebrates diversity", comes from a family well acquainted with the dark days of sectarian strife.

Her father was jailed for IRA offences and her cousin was killed by members of the elite British regiment the SAS.

But O'Neill, vice president to Sinn Fein's all-Ireland president Mary Lou McDonald, is from a generation that came of political age after the 1998 Good Friday peace agreement ended "The Troubles".

Her left-wing liberalism, glamorous appearance and slick politicking has found favour with younger voters angry at a loss of access to secure jobs and housing since the 2008 financial crash.

It is also in sharp contrast to the staid, masculine and dogmatic political atmosphere during the era of violence, and with the current unionist leadership in Northern Ireland.

Instead of a singular focus on bringing about the republican dream of a united Ireland, O'Neill's party emphasised policies to tackle surging inflation and encourage stability following the shock of Brexit.

O'Neill was born in County Cork, in the south of the Irish republic, on January 10, 1977.

Her father Brendan Doris served jail time at the height of the Troubles due to his membership of the IRA paramilitary group, and later became a Sinn Fein councillor.

UK authorities believed her 21-year-old cousin Tony Doris was a part of a brigade planning to kill a senior security force member in 1991. He died when his car was ambushed by the SAS.

Another cousin, IRA volunteer Gareth Malachy Doris, was wounded during a firefight in 1997.

- Teenage mum -
O'Neill turned to politics after training as an accounting technician, working as an advisor to Sinn Fein politician Francie Molloy in the Northern Ireland Assembly.

After winning election to the devolved legislature in 2007, she became minister for agriculture and rural development in 2011, and minister of health in 2016.

It was here that she served notice of her liberal philosophy, lifting Northern Ireland's ban on gay men donating blood.

O'Neill became the party's leader in the north in 2017, following the resignation of veteran republican and former IRA commander Martin McGuinness.

She became deputy first minister in the Belfast executive in 2020, sharing power uneasily with the Democratic Unionist Party before the DUP walked out in protest at the UK's post-Brexit trade deal with the European Union.

She lost that position when the executive collapsed in February, but instead will now take on the prize role of First Minister following Thursday's historic win.

The DUP or other unionist forces had always controlled power since Northern Ireland was established in 1921, when the rest of Ireland achieved self-rule from Britain.

And nearly a century after the nationalist party fragmented south of the border during a civil war, it is leading in Irish opinion polls too, possibly bringing the prospect of a united Ireland closer to reality.

O'Neill was married to Paddy O'Neill until they separated in 2014, and has two children. She credits her toughness on being a teenage mum.

"I know what it's like to be in difficult situations, I know what it's like to struggle, I know what it's like to go to school and have a baby at home, and to be studying for your exams," she told the Belfast Telegraph.

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The Central African Republic has adopted bitcoin as legal tender, the president's office said becoming the second country in the world to do so after El Salvador.Metadata Information

Lawmakers unanimously adopted a bill that made bitcoin legal tender alongside the CFA franc and legalised the use of cryptocurrencies.

President Faustin Archange Touadera signed the measure into law, his chief of staff Obed Namsio said in a statement.

The CAR "is the first country in Africa to adopt bitcoin as legal tender", Namsio said.

"This move places the Central African Republic on the map of the world's boldest and most visionary countries," he declared.

But a leading opposition figure contested the vote and said that the move aimed at undermining use of the CFA franc.

The CAR is one of the planet's poorest and most troubled nations, locked in a nine-year-old civil conflict and with an economy heavily dependent on mineral extraction, much of which is informal.

The text of the new legislation covers use of cryptocurrencies, and those who use them, in online trade, "smart contracts... by blockchain technology" and "all electronic transactions".

Cryptocurrency exchanges are not liable to tax, it adds.

Martin Ziguele, a former CAR prime minister who is now an opposition MP, complained the bill was approved "by proclamation" and some legislators intend to file suit against it at the Constitutional Court.

"This law is a way of getting out of the CFA franc through a means that guts the common currency," said Ziguele.

"It (the law) isn't a priority for the country," he said. "This move raises the question: who benefits from it?"

The CAR is one of six central African countries that share the CFA franc -- a regional currency that is backed by France and pegged to the euro. Other members are Cameroon, Chad, Republic of Congo, Gabon and Equatorial Guinea.

Thierry Vircoulon, a specialist on central Africa at the French Institute of International Relations (IFRI) think tank, wondered if there was a link between the CAR's close ties with Russia.

"The context, given systemic corruption and a Russian partner facing international sanctions, does encourage suspicion," he said.

"Russia's search for ways to get around international sanctions is an invitation to be cautious."

- Worries -
El Salvador became the world's first adopter of the pioneering virtual currency on September 7.

The introduction was heavily criticised by the International Monetary Fund (IMF).

It warned of "large risks associated with the use of bitcoin on financial stability, financial integrity, and consumer protection" and with issuing bitcoin-backed bonds.

Many regulators share those concerns, and other critics say that anonymised transfers using crypto are a perfect tool for traffickers and money laundering.

India effectively outlawed crypto transactions in 2018, only for the country's top court to strike down the ban two years later.

China's central bank in September declared all financial transactions involving cryptocurrencies to be illegal.

Huge swings in bitcoin's price make it risky as a store of value and long transaction processing times make it impractical for small purchases.

After a relatively calm 2020, the cryptocurrency has experienced wild swings in 2021, surging from under $33,000 at the start of the year, peaking at over $67,000, before returning to $35,000 in February.

It was down 1.5 percent at 1400 GMT on Wednesday, trading at $39,328.14 (37,293.7 euros).

Despite reservations, there is also acknowledgement of the usefulness of digital currencies as a flexible monetary tool.

Major central banks are looking at the possibility of setting up a virtual currency in a regulated environment.

- Troubled country -
The CAR has experienced few moments of peace since it gained independence from France in 1960, and ranks 188 out of 189 countries in the UN's Human Development Index, a benchmark of prosperity.

In 2013, the country plunged into a civil war that developed largely along sectarian lines.

The conflict eased after France intervened militarily and elections were held that were won by Touadera, although for years armed groups held sway over most of the CAR's territory.

In 2020, a coalition of rebels advanced on the capital Bangui, threatening to overturn Touadera as new elections loomed.

Russia dispatched paramilitaries to help repel the threat and then recover much of the rebel-held territory.

The operatives are described by Bangui as military advisers but by France, the UN and others as mercenaries from the Kremlin-backed Wagner group, which has been accused of abuses.

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© Agence France-Presse




Dutch King Willem-Alexander opened the gates to one of Europe's largest gardening fairs, a once-in-a-decade show focusing this year on how to make cities greener.

But critics have denounced the show, which features displays by 200 participants from 25 countries, as a "money pit" that has massively over-run its budget.

The Floriade 2022 exposition, which runs until early October, is expected to draw more than two million enthusiasts to the central city of Almere.

The Floriade 2022 shows "what a green city could be like in the future... what kind of materials could be used for this and what role the horticultural sector could play in it", said its curator, Annemarie Jorritsma, a former mayor of the city.

"On top of that, when the show is finished it will be a fantastic residential area," she told AFP.

Each decade, a different Dutch city gets to host the gardening extravaganza. Almere, the latest, is a city that was itself created by the Dutch by draining part of the former Zuiderzee bay to reclaim land.

As well as being a showcase for Dutch horticulture, each participating country has its own pavilion.

China's is showing "new ways of using bamboo", said Jorritsma. Italy is focusing on permaculture, while France shows how metallic imitations of trees can be used to cool cities.

The German pavilion is decorated with plants including garden plants, trees, food crops and wildflowers to form a "living ecosystem whose appearance would change throughout the exhibition", organisers said.

"The Floriade is the best place to show what countries have to change their cities," Detlef Wintzen, one of the exhibitors at the German pavilion, told AFP.

- Cost controversy -
The event has however been criticised for budget overruns that threatened its very existence.

Dutch media have reported that Almere has significantly over-run its 10-million-euro budget ($10.8 million) for the project.

Financial daily Financieele Dagblad estimated that costs could be as high as 200 million euros -- with losses of up to 100 million -- but said there was a "thick fog" hanging over the official costs.

First held in Rotterdam in 1960, the organisers of the last three Floriades -- 1992, 2002 and 2012 -- have all been criticised for losses totalling millions of euros.

And some media reports have even suggested that this could be the last-ever edition of the show.

Almere -- the country's youngest city -- plans to have a "green residential area by the water" after the end of the Floriade designed by Dutch architect Winy Maas.

Some 660 homes will be built in the "Hortus" district, many of them made from durable materials such as moss and mushrooms.

An imposing colourful building in the middle of the exhibition will eventually serve as social housing, and "floating homes" are also planned.

Members of the public can visit the Floriade from Thursday onwards.

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A sandy-coloured tower glints in the sunlight and dominates the skyline of the Swedish town of Skelleftea as Scandinavia harnesses its wood resources to lead a global trend towards erecting eco-friendly high-rises.

The Sara Cultural Centre is one of the world's tallest timber buildings, made primarily from spruce and towering 75 metres (246 feet) over rows of snow-dusted houses and surrounding forest.

The 20-storey timber structure, which houses a hotel, a library, an exhibition hall and theatre stages, opened at the end of 2021 in the northern town of 35,000 people.

Forests cover much of Sweden's northern regions, most of it spruce, and building timber homes is a longstanding tradition.

Swedish architects now want to spearhead a revolution and steer the industry towards more sustainable construction methods as large wooden buildings sprout up in Sweden and neighbouring Nordic nations thanks to advancing industry techniques.

"The pillars together with the beams, the interaction with the steel and wood, that is what carries the 20 storeys of the hotel," Therese Kreisel, a Skelleftea urban planning official, tells AFP during a tour of the cultural centre.

Even the lift shafts are made entirely of wood. "There is no plaster, no seal, no isolation on the wood," she says, adding that this "is unique when it comes to a 20-storey building".

- Building materials go green -
The main advantage of working with wood is that it is more environmentally friendly, proponents say.

Cement -- used to make concrete -- and steel, two of the most common construction materials, are among the most polluting industries because they emit huge amounts of carbon dioxide, a major greenhouse gas.

But wood emits little CO2 during its production and retains the carbon absorbed by the tree even when it is cut and used in a building structure.

It is also lighter in weight, requiring less of a foundation.

According to the UN's IPCC climate panel, wood as a construction material can be up to 30 times less carbon intensive than concrete, and hundreds or even thousands times less than steel.

Global efforts to cut emissions have sparked an upswing in interest for timber structures, according to Jessica Becker, the coordinator of Trastad (City of Wood), an organisation lobbying for more timber construction.

Skelleftea's tower "showcases that is it possible to build this high and complex in timber", says Robert Schmitz, one of the project's two architects.

"When you have this as a backdrop for discussions, you can always say, 'We did this, so how can you say it's not possible?'."

Only an 85-metre tower recently erected in Brumunddal in neighbouring Norway and an 84-metre structure in Vienna are taller than the Sara Cultural Centre.

A building under construction in the US city of Milwaukee and due to be completed soon is expected to clinch the title of the world's tallest, at a little more than 86 metres.

- 'Stacked like Lego' -
Building the cultural centre in spruce was "much more challenging" but "has also opened doors to really think in new ways", explains Schmitz's co-architect Oskar Norelius.

For example, the hotel rooms were made as pre-fabricated modules that were then "stacked like Lego pieces on site", he says.

The building has won several wood architecture prizes.

Anders Berensson, another Stockholm architect whose material of choice is wood, says timber has many advantages.

"If you missed something in the cutting you just take the knife and the saw and sort of adjust it on site. So it's both high tech and low tech at the same time", he says.

In Stockholm, an apartment complex made of wood, called Cederhusen and featuring distinctive yellow and red cedar shingles on the facade, is in the final stages of completion.

It has already been named the Construction of the Year by Swedish construction industry magazine Byggindustrin.

"I think we can see things shifting in just the past few years actually," says Becker.

"We are seeing a huge change right now, it's kind of the tipping point. And I'm hoping that other countries are going to catch on, we see examples even in England and Canada and other parts of the world."

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© Agence France-Presse

 

"Go pee on the rhubarb!"

Engineer Fabien Esculier has never forgotten his grandmother's unconventional approach to gardening -- in fact, it has inspired his career.

Human urine may seem like a crude way of fertilising plants in the era of industrial agriculture, but as researchers look for ways to reduce reliance on chemicals and cut environmental pollution, some are growing increasingly interested in the potential of pee.

Plants need nutrients -- nitrogen, phosphorus and potassium -- and we ingest these through food, before "excreting them, mostly through urine", said Esculier, who runs the OCAPI research programme in France looking at food systems and human waste management.

This presents an opportunity, scientists think.

Fertilisers using synthetic nitrogen, in use for around a century, have helped drive up yields and boost agricultural production to feed a growing human population.

But when they are used in large quantities, they make their way into river systems and other waterways, causing choking blooms of algae that can kill fish and other aquatic life.

Meanwhile, emissions from this agricultural ammonia can combine with vehicle fumes to create dangerous air pollution, according to the United Nations.

Chemical fertilisers also create emissions of the potent greenhouse gas nitrous oxide, contributing to climate change.

But the pollution does not just come directly from the fields.

"Modern-day sanitation practices represent one of the primary sources of nutrient pollution," said Julia Cavicchi, of the United States Rich Earth Institute, adding that urine is responsible for around 80 percent of the nitrogen found in wastewater and more than half of the phosphorus.

To replace chemical fertilisers, you would need many times the weight in treated urine, she said.

But she added: "Since the production of synthetic nitrogen is a significant source of greenhouse gases, and phosphorus is a limited and non-renewable resource, urine diverting systems offer a long-term resilient model for human waste management and agricultural production."

One 2020 study by UN researchers found that global wastewater has the theoretical potential to offset 13 percent of the world's demand for nitrogen, phosphorus and potassium in agriculture.

But pee diversion is easier said than done.

- 'Very radical' -
In the past, urban excrement was transported to agricultural fields to be used as fertiliser along with animal manure, before chemical alternatives began to displace them.

But now if you want to collect urine at source, you need to rethink toilets and the sewage system itself.

A pilot project to do just that began in Sweden in the early 1990s in a selection of eco-villages.

Now there are projects in Switzerland, Germany, the US, South Africa, Ethiopia, India, Mexico and France.

"It takes a long time to introduce ecological innovations and especially an innovation such as urine separation which is very radical," said Tove Larsen, a researcher at Switzerland's Eawag aquatic research institute.

She said the early urine-diverting toilets were considered unsightly and impractical, or raised concerns about unpleasant odours.

But she hopes a new model -- developed by the Swiss company Laufen and Eawag -- should solve these difficulties, with a design that funnels urine into a separate container.

Once the pee is collected it needs to be processed.

Urine is not normally a major carrier of disease, so the World Health Organization recommends leaving it for a period of time, although it is also possible to pasteurise it.

Then there are various techniques for concentrating or even dehydrating the liquid, reducing its volume and the cost of transporting it to the fields.

- 'Surprise' -
Another challenge is overcoming public squeamishness.

"This subject touches on the intimate," said Ghislain Mercier, of the publicly-owned planning authority Paris et Metropole Amenagement.

It is developing an eco-district in the French capital with shops and 600 housing units, which will use urine collection to fertilise green spaces in the city.

He sees significant potential in large buildings like offices, as well as houses not connected to mains drainage.

Even restaurants. Also in Paris is the 211 restaurant, equipped with waterless toilets that collect urine.

"We have had quite positive feedback," said owner Fabien Gandossi.

"People are a little surprised, but they see little difference compared to a traditional system."

But are people ready to go to the next level and eat urine-fertilised foods?

One study on the subject highlighted found differences from country to country. The acceptance rate is very high in China, France and Uganda for example, but low in Portugal and Jordan.

- Water works -
Prices of synthetic fertilisers are currently soaring because of shortages caused by Russia's invasion of Ukraine, which has also spurred countries to consider shoring up their food security.

That could be an opportunity help "make the subject more visible", said Mercier.

Marine Legrand, an anthropologist working with Esculier at the OCAPI network, said that there are still "obstacles to overcome".

But she believes that water shortages and increased awareness of the toll of pollution will help change minds.

"We are beginning to understand how precious water is," she told AFP.

"So it becomes unacceptable to defecate in it."

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© Agence France-Presse



Ahead of their first concert since the start of Russia's invasion, members of the Kyiv Symphony Orchestra voice hope that their music will heal troubled souls and help boost Ukrainian culture.

Some of the orchestra's musicians fled the country to the sound of Russian bombs, others remained in Ukraine but had to leave their homes and have been playing only to their families or in bomb shelters.

The concert at the Warsaw Philharmonic will start a European tour for the orchestra.

"Our concerts are truly a cultural mission," Oleksii Pshenychnikov, a 22-year-old second violin in the orchestra, told AFP during a break in the rehearsals.

"In Ukraine, we say there is a 'cultural front', meaning it is not escaping from the war, it is another aspect of the war," Pshenychnikov said.

The men in the orchestra have been granted special dispensation from Ukrainian authorities to leave the country as martial law is in place in Ukraine and fighting age men are not normally allowed to leave.

The exemption only lasts until the end of the tour and its Italian conductor Luigi Gaggero said he hoped other venues will come forward to offer to host the orchestra "maybe until the end of the war".

Gaggero, who had himself been due to travel to Ukraine on the day the conflict began, said the process of rehearsing together had been invigorating for musicians forced to spend long weeks apart.

"They do not just feel nostalgia for a job, they feel nostalgia for the very reason of their existence, which is music. It is like the air they breathe and they can finally breathe again," he said.

Several of the musicians are travelling with their whole families and loved ones left behind are on everyone's minds as the conflict intensifies in southern and eastern parts of the country.

- 'Transmitting our pain' -
The rehearsals are accompanied by therapy sessions.

Participants were sceptical about the idea at first, but organisers said more and more are taking part.

"Music, particularly being able to practise my violin, has helped me to get away from the terrible reality," said Elizaveta Zaitseva, 25.

"Now I can live again in my own world, the one I am used to, the world of music," said Zaitseva, who studies in Nuremberg in Germany.

Thursday's concert will include the works of Ukrainian composers Maxim Berezovsky, Myroslav Skoryk and Boris Lyatoshynsky as well as a piece by Polish composer Henryk Wieniawski.

"It is unfortunately because of the war but our culture has a big opportunity" to make lesser-known composers known in the West, Zaitseva said.

"Europe will become much richer if it discovers the richness of Ukrainian culture."

Speaking at the Warsaw Philharmonic, where the walls are decorated with stark images of the ruins of post-war Warsaw, Zaitseva said she hoped that the music she plays could "access people's souls".

"Through music and art we are speaking to the soul, we are transmitting our pain and our wishes, our hopes into people's hearts through music," she said.

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© Agence France-Presse
 


Canadian film-maker David Cronenberg has been shocking audiences for decades with his graphic "body horror" movies but he has now gone further by creating art from his own insides.

The director is auctioning an image of his recently removed kidney stones just in time for the release of his latest movie "Crimes of the Future", in competition for the Palme d'Or at Cannes next month.

"My doctor said: 'You know, I would like to have your kidney stones so that we can do a chemical analysis and see if there's something in your diet that has caused your body to create this,'" the director told an online forum of his fans.

He said he refused because the analysis would destroy the objects.

"I think they're too beautiful to be destroyed," he said, adding that he felt a "closeness" to them.

"After all, this is pretty intimate, it comes from the inside of my body."

The image, called "Inner Beauty", is being sold as a digital token (NFT) with a starting bid of the equivalent of roughly $30,000 needed to kickstart a 24-hour auction.

Nobody has yet agreed to pay that price.

- 'Best kidney' prize -
The 79-year-old auteur has pushed the boundaries of taste and tested the patience of censors throughout a five-decade career that has fixated on the idea of humans as guinea pigs, transformed by technology and their environment.

The director won plaudits for classic horrors like "Scanners" (1981) and "The Fly" (1986).

But he told fans in a forum organised by NFT marketplace SuperRare that inspiration for his kidney stones project came from his 1988 movie "Dead Ringers", in which Jeremy Irons played twins, both gynaecologists.

"At one point one of the twins says to the other: 'I don't understand why there are not beauty contests for the insides of bodies. Most beautiful spleen, best kidney,'" he said.

The work is also, he said, a reference to his new film, which stars Viggo Mortensen as a performance artist who carries out surgery on himself.

- No physical product -
Cronenberg has dabbled in NFTs in the past, selling a one-minute film titled "The Death of David Cronenberg" for more than $75,000 in today's prices.

Burgeoning communities of artists are trying to exploit the tokens as a medium to spread their art, and some have sold for many millions of dollars.

Hollywood has proved particularly susceptible to a market estimated to be worth around $25 billion last year, with Cronenberg's fellow creator of outre films David Lynch making an NFT with rock band Interpol last year.

NFTs do not grant ownership of an artwork.

Rather, they are a unique entry into a blockchain, the vast computer system that underpins NFTs and cryptocurrencies.

Critics point out that NFTs are essentially worthless, getting value only from the hype around them.

The point was illustrated this month when an NFT of Twitter founder Jack Dorsey's first tweet could not even raise $10,000 at auction -- a year after it was bought for $2.9 million.

SuperRare told AFP that creators of NFTs often supply a physical product to the buyer like a print of the photo.

But the marketplace said Cronenberg "did not indicate anything about sending the physical copy" of his work, which has now been on sale for several weeks.

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© Agence France-Presse
 

The Foreign Post is the newspaper of the International Community in the Philippines, published for foreign residents, Internationally-oriented Filipinos, and visitors to the country. It is written and edited to inform, to entertain, occasionally to educate, to provide a forum for international thinkers.

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