Black Panther star Letitia Wright says she got so close to co-lead Tamara Lawrance in "The Silent Twins", competing at Cannes, that both actors began to behave exactly like the siblings in the drama based on the true story of two black sisters in 1970s Wales.

The film tells the incredible story of June and Jennifer Gibbons, identical twins who refused to communicate with anybody except each other, and created a rich inner life that is both fascinating and dangerous.

Guyanese-born British actress Wright was catapulted to stardom with Marvel movie "Black Panther", as well as "Avengers: Infinity War" and "Avengers: Endgame", and dystopian TV show "Black Mirror".

"The twins were so enamoured with each other, so obsessed with each other. That's the same I was with Tamara," Wright told AFP.

"I'd say things like, oh my god, you're amazing with this or that, I love the way you do this, I love the way you think, I love the books that you're reading," she said. "And then in a split second: What am I doing here?", she laughed. "Life really imitated art".

Fellow Brit Lawrance, best known for the BBC's King Charles III, said she, too, felt like a sister to Wright during the shooting for "The Silent Twins".

"It wasn't always plain sailing, it was very much a sisterhood," Lawrance told AFP. "We got very close, and it's that closeness that gives you the capacity to get in each other's face," she smiled.

 

- 'Blown away' -

 

The film's Polish director Agnieszka Smoczynska told AFP she was "blown away" when she first heard about the story of the twins that became famous after Sunday Times journalist Marjorie Wallace published a book about the case.

The real June and Jennifer Gibbons were born in 1963, daughters in Caribbean immigrants. They were the only black children in their Welsh community, spoke only to each other and were ostracised at school.

They spent all their time together, writing plays, poems and novels. Later they experimented with alcohol and drugs, committed petty crimes and got locked up in Broadmoor, a high-security mental health hospital, for 11 years.

"I thought: What an incredible story," said Smoczynska. "I couldn't imagine that it had really happened, 30 years ago. This is the moment that I knew I wanted to do this movie."

She said her film has "many layers". It's about "two sisters who love each other so much that they can't live without each other, but they also can't live together", she said.

The movie explores the notions of sacrifice and misunderstood artists, but also racism "and what the system did to these young black girls," said Smoczynska, though the theme remains understated.

"To make it just about race would be reductive, because race doesn't exist in isolation from everything else," said Lawrance.

"In this film it's interesting to look at its intersection with class, and the time you're born in, the generation you're born in."

Critics gave "The Silent Twins" a warm reception, with Deadline calling the lead actresses' performances "unforgettable", and The Guardian awarding four stars to the "well acted, disturbing drama" which the paper added was "heartfelt" and "absorbing".

It is competing in the Cannes Festival's Un Certain Regard section which showcases mostly young and innovative film-makers.

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© Agence France-Presse

Glammed up in satin knickerbockers, sequins and platform boots, ABBA fans streamed into a concert hall in east London Friday for the opening night of "ABBA Voyage", the Swedish supergroup's digital avatar show.

Many had crossed continents and had bought tickets for multiple nights.

"I've been a fan since 1975," said one woman, Roxanne Dixon, who wore sparkly "A" and "B" earrings, a gold-trimmed white satin tunic and gold boots.

"I came from Australia just for this."

"We came all the way from America and it was worth it," said Caleb Graham, 33, from Florida, he and his partner wearing matching black ABBA T-shirts.

The concert show at a purpose-built 3,000-seat theatre features digital avatars, or "ABBAtars" performing hits from the 1970s and 1980s as well as songs released last year, when the septuagenarian former bandmates announced they had reunited to record a new album.

After an invitation-only premiere  -- attended by Sweden's King Carl XVI Gustaf and Queen Silvia -- Friday was the first chance for ordinary fans to experience the hi-tech show.

Ages varied from children to people old enough to remember ABBA first time round.

"I just think it's incredible how, you know, ABBA draws people of all different walks of life together, all different ages," said Jordan Charlesworth, 27, a public health agency staff member wearing a sequinned one-piece.

"It's close to the soundtrack of your life, isn't it, when you get to 56," said Sarah Armstrong in swirly turquoise trousers, who had come with her sister and daughter.

The ambitious show is a hugely expensive project, with The Times reporting that ABBA need to recoup £140 million ($177 million, 165 million euros) to cover costs.

Band member Bjorn Ulvaeus, 77, told AFP ahead of the premiere: "I know that this is one of the most daring projects that anyone has done in the music industry, ever."

 

- 'Jaw-dropping' -

 

Concert-goers see a 90-minute show, with a dozen live musicians on stage backing up the avatars.

It is set to run seven days a week until early October.

The avatars are the product of a years-long project, designed in partnership with a special effects company founded by "Star Wars" creator George Lucas.

Critics praised them after previous shows "resurrecting" dead performers have been slammed as unrealistic and creepy.

This time, there was "nothing ghoulish", wrote The Times.

The Guardian said the digital effects were a "triumph" and "the effect is genuinely jaw-dropping".

Fans said they felt they had watched a live show.

"It was amazing, so immersive, I really felt like they were there," said Dawn Waugh, 63, who was attending with her 26-year-old daughter.

"It was the most wonderful feeling of being back in time," said another fan, Stan Papoulias, 56, originally from Greece.

"I've been an ABBA fan for 45 years and I never thought I would see them in the flesh -- or something like that."

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© Agence France-Presse

South Korean K-pop sensations BTS didn't sing a word but in a White House visit to meet President Joe Biden the supergroup's message against anti-Asian racism came loud and clear.

The seven stars, dressed in matching dark suits and ties, with white shirts, joined White House Press Secretary Karine Jean-Pierre at the briefing room podium -- a tiny, but powerful stage.

The singer Park Ji-min, better known as Jimin, said through a translator that the group is "devastated by the recent surge of hate crimes" in the United States.

Another member, Suga, appealed for tolerance, saying, "It's not wrong to be different. I think equality begins when we open up and embrace all of our differences."

Group members did not take questions from reporters before going into a meeting with Biden and, according to the White House, recording "digital content."

Outside the mansion's grounds on the other side of a tall black fence, fans who dub themselves the "Army" gathered in hopes of a glimpse.

The brief appearance before journalists itself reportedly garnered more than 300,000 viewers on the White House's YouTube channel, more than 10 times the traffic on a day when the only people watching events in the briefing room are mostly media or political professionals.

It was certainly something new for economic policy advisor Brian Deese, who had been scheduled to brief reporters on Biden's fight against US inflation right after the group left.

"I get to go home and tell my kids that BTS opened for me," he said to laughter.

 

- 'Youth ambassadors' against hate -

 

Biden issued the invitation to "discuss the need to come together in solidarity, Asian inclusion and representation, and addressing anti-Asian hate crimes and discrimination, which have become more prominent issues in recent years," the White House said.

Anti-Asian sentiment and violence in America have grown during the coronavirus pandemic in a phenomenon many blame on fallout from the Covid-19 pandemic.

Biden's Republican predecessor Donald Trump often blamed the pandemic, which originated with an outbreak in Wuhan, China, as "the China virus" and also mocked the deadly virus as "kung flu."

Just in 2021, hate crimes against Asians shot up 339 percent, according to the Center for the Study of Hate and Extremism.

The trend stands out within a general rise in violent crime, with the ugliest incident taking place in the Atlanta area, where a man shot dead eight people at massage spas, six of them Asian women.

The White House praised BTS's floppy haired, stylish stars as "youth ambassadors who spread a message of hope and positivity across the world."

Band members, all in their 20s and who frequently appear wearing earrings and lipstick, have given a voice worldwide to a generation comfortable with gender fluidity.

They are credited with generating billions for the South Korean economy, and their label enjoyed a surge in profits despite holding fewer concerts during the pandemic.

Biden, who at 79 is the oldest person to become president, has often reached out to young celebrities and social media influencers to try and inject some glamor into his team's messaging on social and health issues.

These included pop singer Olivia Rodrigo and the Jonas Brothers in campaigns to persuade young Americans to get their Covid-19 vaccines.

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© Agence France-Presse

 

British rock legends The Rolling Stones open their European tour with a gig in Madrid to mark six decades since the band was formed.

The Sixty tour will include 14 concerts across Europe with the first taking place in the Wanda Stadium, home to Atletico Madrid football club.

It follows the band's "No Filter" tour, which began in 2017 but saw the North American leg postponed due to the pandemic.

After a long delay, they resumed the tour late last year, wrapping it up with a million tickets sold, although missing their drummer Charlie Watts who died in August at age 80.

The Rolling Stones helped define the Swinging Sixties and the hippie era with timeless hits such as "Jumpin' Jack Flash" and "(I Can't Get No) Satisfaction".

Frontman Mick Jagger, 78, and fellow band members Keith Richards, also 78 and Ronnie Wood, who turns 75 today, arrived in the Spanish capital last week.

"Sympathy for the Devil in Madrid. The Stones are in town! Countdown to the first show is on!" they wrote on Instagram, posting a picture of the Fallen Angel fountain in the Retiro Park, referencing one of their best-known songs.

"Enjoying lots of what Madrid has to offer, from fallen angels to Flamenco!" tweeted Jagger, with pictures of him having a beer and visiting Picasso's "Guernica".

He also posted a brief flamenco-style clip of "Paint It, Black".

 

- Whistle-stop tour -

 

The Stones will tour 13 cities in Europe, playing two gigs in London.

Following the opening night in Madrid, they head to Munich and then on to Liverpool to play at the city's Anfield football stadium in what will be their first gig in more than 50 years in the hometown of The Beatles.

They will also play in Amsterdam, Bern, Milan, London, Brussels, Vienna, Lyon, Paris then the German town of Gelsenkirchen with their final show in Stockholm on July 31.

As well as celebrating their 60th anniversary, the Stones are also marking 50 years since the release of one of their most iconic albums "Exile on Main St".

Jagger and Richards were childhood friends who lost contact until a chance encounter as teenagers on Dartford station southeast of London.

The following year, they would go on to form what would become one of the world's best-known rock bands.

Dartford station today carries a blue plaque to mark the historic encounter.

They did their first tour of the UK in 1963, kicking off a stellar career which would see them release more than 50 albums, both studio and live, with millions of copies sold.

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© Agence France-Presse



Three million women joined Japan's workforce in the past decade, and it's at least partly thanks to top executive Kathy Matsui, who coined the "womenomics" catchphrase that inspired government policy.

But with many women holding precarious part-time jobs, often in sectors hit hard by Covid-19, she says the world's third largest economy must try harder to tap underused talent.

That means chipping away at managers' sexist attitudes and challenging Japan's long-hours work culture, as well as encouraging start-ups with "more diverse founders".

"We have a very low ratio of female entrepreneurs in this country," Matsui, the former vice-president of US investment bank Goldman Sachs in Japan, told AFP.

"But if you want to be driving your own destiny, becoming an entrepreneur is one of the best ways to do that."

Matsui, 57, is one of the few women at the top of Japan's male-dominated business world, as co-director of a firm founded last year that invests in ethically minded young companies.

The Japanese-American was at Goldman Sachs in 1999 when she began publishing studies on the economic benefits of boosting female participation in the Japanese workforce, which she dubbed "womenomics".

To her surprise, the ideas were adopted by former prime minister Shinzo Abe in 2012 as part of his signature plan to revive the ailing Japanese economy.

Since then, the proportion of women in Japan who work has risen from 60 percent to over 70 percent, equivalent to around three million people, according to OECD figures.

But even now, only 15 percent of managers at Japanese companies are women, compared to around 40 percent in the United States.

- Pandemic problems -
"Trying to change the mindset and behaviour of very established organisations... is not impossible, but it just takes a long time," unlike start-ups which can be more flexible, Matsui said.

Recent progress has been so slow that Japan's government was forced to postpone its 30-percent target for women in management positions by a whole decade in 2020.

And like in other countries, the Covid crisis has not helped.

Worldwide, women were more likely than men to report a loss of employment in the pandemic's first 18 months, according to a University of Washington study published this year in the Lancet that analysed data from 193 countries.

In Japan, many women juggle looking after children or elderly relatives while working part-time, often in the Covid-hit service industries, Matsui said.

She thinks helping women into full-time roles where they are more likely to be promoted is not just the government's responsibility, but also that of managers.

Evaluations should be "much more focused on output and performance, as opposed to the time factor", and managers should undergo training to tackle prejudices.

"A lot of times I come across women who are passed over for promotion, because they just got married" and their boss doesn't want to "risk" them taking maternity leave, she said.

And it's urgent -- as Japan's rapidly ageing population causes its workforce to shrink, "the fastest thing you can do is try to tap into the talent that is staring you in the face."

- New perspectives -
Matsui grew up in California as the daughter of Japanese immigrants who ran a flower-growing business, which taught her the "value of work".

She studied at Harvard, where she majored in social studies. After graduation, she won a scholarship to study in Japan -- her first time in her parents' home country -- and stayed to build a career in finance.

Her "womenomics" argument struck a chord with ministers because it offered a new perspective on the benefits of equality, she believes.

As well as targets and requirements for large companies to disclose data on gender balance, Matsui has also seen a shift in how the issue is viewed in Japan, from a niche issue to a "daily topic of conversation".

But she remains committed to her original principles of crunching data and finding solutions, rather than just talking about the problems faced by women in the workforce.

"You cannot manage what you don't measure," she said.

Now, as co-director of the venture capital company MPower Partners, which invests in businesses that prioritise environmental, social and corporate governance (ESG), Matsui wants to grow Japan's relatively small start-up scene.

"Part of why it's so small is because there's not enough diversity, or because (the companies) don't think globally enough. Those are two angles where we at MPower really want to help change," she said.

But firms seeking investment should beware of resorting to superficial tactics like so-called greenwashing: "We're not so interested in companies just trying to tick the box."

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© Agence France-Presse
 
 
 
 


Elisabeth Borne, a 61-year-old engineer, was named French prime minister, becoming only the second woman to hold the position after Edith Cresson, a Socialist, who lasted less than a year in the job in the early 1990s.

Borne is one of nearly a dozen female political leaders in Europe, where Ursula von der Leyen became the first president of the European Commission in December 2019.

We look at the situation across the continent:

- Denmark -
Social Democrat leader Mette Frederiksen became her country's youngest-ever prime minister in June 2019 when she was elected premier at the age of 41.

Denmark's first woman prime minister was Helle Thorning-Schmidt, also from the Social Democrats, who served from 2011 to 2015.

- Estonia -
Former EU auditor Kersti Kaljulaid, 52, became the first female president of the Baltic state of Estonia in October 2016. The position is a largely ceremonial one.

Kaja Kallas in January 2021 became Estonia's first woman prime minister. Her father Siim Kallas was prime minister from 2002-2004.

- Finland -
In December 2019, Sanna Marin, a Social Democrat, became the youngest sitting prime minister in the world at the age of 34.

She is Finland's third female prime minister.

- Greece -
Katerina Sakellaropoulou, a trailblazing lawyer, was elected Greece's first female president in January 2020.

While the presidency is a mainly ceremonial role in Greece, Sakellaropoulou had already broken new ground in the judiciary by become president of the country's top court in 2018.

- Hungary -
Katalin Novak, a close ally of Prime Minister Viktor Orban and former minister for family policy, was elected Hungary's first ever woman president in March 2022.

The presidency is a largely ceremonial role.

- Lithuania -
Lithuanian former finance minister Ingrida Simonyte, a 47-year-old rock and ice hockey fan, was appointed prime minister of a centre-right government in December 2020.

Lithuania has a strong tradition of female leadership, with "Baltic Iron Lady" Dalia Grybauskaite spending a decade in power from 2009 to 2019.

- Slovakia -
Liberal lawyer and anti-graft campaigner Zuzana Caputova, 48, took office in June 2019 as Slovakia's first woman president.

A political novice, she had comfortably beaten the ruling party's candidate in elections. In Slovakia, the president has less power than the prime minister but can veto laws and appointments of senior judges.

- Sweden -
Despite being a country that champions gender equality, Sweden never had a woman as prime minister before Magdalena Andersson, a Social Democrat, who won the top job in November 2021.

An economist who had served as finance minister for seven years, Andersson had a rocky start. Hours after becoming premier she resigned after her budget was rejected by parliament and the Greens quit her coalition. Four days later she was re-elected.

- Wider Europe -
Elsewhere in Europe, but outside the EU, other women currently in power are: Georgia President Salome Zurabishvili, Iceland's Prime Minister Katrin Jakobsdottir, Kosovo's president Vjosa Osmani, Moldova's president and prime minister Maia Sandu and Natalia Gavrilita, Norway's Prime Minister Erna Solberg and Scotland's First Minister Nicola Sturgeon.

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© Agence France-Presse

 
 



Japanese billionaire space tourist Yusaku Maezawa is putting one of his Basquiat artworks up for sale, an auction house has said, hoping for around $13 million profit on the piece.

The 16-foot-wide "Untitled" 1982 by Jean-Michel Basquiat will be sold on May 18 for an estimated price of around $70 million, auction house Phillips said in a statement on Monday in New York.

That would make Maezawa a tidy profit on the artwork, which he purchased in 2016 for $57.3 million.

The mega-rich founder of Japan's largest online fashion mall said in the statement that the past six years of owning the painting were "a great pleasure".

But art "should be shared so that it can be a part of everyone's lives," he added.

Ahead of its sale, the massive artwork will go on international tour, being displayed in London, Los Angeles and Taipei, the statement said.

Maezawa, who in 2017 set a new auction record for Basquiat works when he paid $110.5 million for another painting by the 20th century giant, also said he plans to create a new museum to exhibit his collection.

He founded the Contemporary Art Foundation in Tokyo and was on the 2017 list of "Top 200 Collectors" by the ARTnews magazine based in New York.

He has been in the headlines more recently for becoming the first space tourist to travel to the International Space Station with Russia's space agency.

His odyssey is believed to have cost around 10 billion yen ($87 million), and he plans to follow it up with a trip around the Moon organised by Elon Musk's SpaceX.

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© Agence France-Presse

 
 

Dior's show at Paris Fashion Week  struck a sombre tone, with designer Maria Grazia Chiuri telling AFP her focus on combining "beauty and protection" was apt for a time of war.

The collection was put together long before the Russian military began bombarding Ukraine last week.

But with Dior's models sporting a range of protective gear -- from shoulder pads to airbag corsets to tops that looked distinctly like bulletproof vests -- it was hard not to think of the news from eastern Europe.

Even before the Ukraine conflict, "the world was already at war", said Chiuri, Dior's artistic director for women, ahead of the show.

"Covid was another form of war. We have all experienced some very difficult months," she said.

"There is a lot of reflection, in these difficult times, about how to combine beauty, aesthetics and protection."

The 58-year-old Italian designer said her latest creations were aimed at finding technical solutions that can be more functional for women's bodies.

They included a high-tech reworking of Christian Dior's most iconic creation, the Bar jacket.

In collaboration with an Italian motorbike accessories firm, D-Lab, the new jacket has its own internal heating system, combined with padded hips that give it a hypersexualised, futuristic look.

"Clothes are themselves a form of protection... they reassure us. That aspect is very present in what I do -- emotional protection as well as protection in its proper sense," she said.

A committed feminist, Chiuri sees the current crisis as further proof of the failings of a male-dominated society.

"The problem is cultural and patriarchal. There must be more women in decision-making positions. There would be fewer wars," she said.

The autumn-winter shows were supposed to mark Paris Fashion Week's return to near-normal, with almost all labels back to holding public events as pandemic restrictions ease across Europe.

But the war in Ukraine has cast a pall, with organisers issuing a statement on Monday urging attendees to experience the shows "with solemnity, and in reflection of these dark hours".

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© Agence France-Presse


Proudly donning majestic feathered headdresses, models sing an ode to the rain while a makeup artist draws geometric patterns on their faces, arms and thighs in preparation for Brazil's first-ever indigenous fashion show.

"It is a feeling of happiness and pride," 19-year-old model Moan Munduruku told AFP ahead of his turn on the catwalk in Manaus in the Brazilian Amazon.

"We are very eager to show our talent, in sewing, in crafts. To show the world that indigenous people can also succeed" in fashion, he said.

Moan is one of 37 models -- women and men -- representing 15 indigenous groups of Brazil to take part in the month-long Intercultural Exhibition of Indigenous Fashion in the Brazilian Amazon's largest city.

For the entire month of April, the catwalk is to host the creations of 29 indigenous designers.

"It's a form of resistance, a way to overcome stereotypes," event organizer Reby Ferreira, 27, told AFP.

"Here in Manaus, unfortunately, many people are ashamed or even afraid to recognize that they have indigenous blood. Our goal is for everyone to feel included and to show our culture to everyone through these clothes."

The designers use natural elements in their creations, including the spearlike teeth of the peccary -- an Amazonian boar -- the red guarana fruit, acai seeds and coconut shells.

The same geometric patterns sported by the models are repeated in the fabrics that envelop them.

"My outfit evokes the (coming-of-age) ritual of the Ticuna girl," said Kimpuramana, a 17-year-old model sporting a white dress adorned with black diagonal stripes.

On the runway, a presenter announces the ethnicity of each model and explains the symbolism behind the clothes and accessories they wear.

Saturday's show was hosted at the Rio Negro Palace, an early 20th century building that now serves as a cultural center.

"I feel privileged to have been able to attend such an event in this place. We are generally excluded from such sites. Today I can see my people telling their story through fashion," said participant Bianca Mura, 24.

As the models walked down the catwalk to appreciative applause, thousands of indigenous Brazilians gathered in the capital Brasilia some 3,500 kilometers (2,175 miles) away, for an annual mass camping event called Terra Livre (Free Land).

The gathering is both a rally for indigenous rights and a protest against the government of far-right President Jair Bolsonaro, who is in favor of opening indigenous reserves -- already hard hit by deforestation -- to mining and farming companies.

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© Agence France-Presse
 


Michelle O'Neill embodies a new generation of progressive Irish republicans, and will go down in history as the leader who won nationalists power in Northern Ireland for the first time.

The 45-year-old Sinn Fein politician, who on Saturday vowed to provide "leadership which is inclusive, which celebrates diversity", comes from a family well acquainted with the dark days of sectarian strife.

Her father was jailed for IRA offences and her cousin was killed by members of the elite British regiment the SAS.

But O'Neill, vice president to Sinn Fein's all-Ireland president Mary Lou McDonald, is from a generation that came of political age after the 1998 Good Friday peace agreement ended "The Troubles".

Her left-wing liberalism, glamorous appearance and slick politicking has found favour with younger voters angry at a loss of access to secure jobs and housing since the 2008 financial crash.

It is also in sharp contrast to the staid, masculine and dogmatic political atmosphere during the era of violence, and with the current unionist leadership in Northern Ireland.

Instead of a singular focus on bringing about the republican dream of a united Ireland, O'Neill's party emphasised policies to tackle surging inflation and encourage stability following the shock of Brexit.

O'Neill was born in County Cork, in the south of the Irish republic, on January 10, 1977.

Her father Brendan Doris served jail time at the height of the Troubles due to his membership of the IRA paramilitary group, and later became a Sinn Fein councillor.

UK authorities believed her 21-year-old cousin Tony Doris was a part of a brigade planning to kill a senior security force member in 1991. He died when his car was ambushed by the SAS.

Another cousin, IRA volunteer Gareth Malachy Doris, was wounded during a firefight in 1997.

- Teenage mum -
O'Neill turned to politics after training as an accounting technician, working as an advisor to Sinn Fein politician Francie Molloy in the Northern Ireland Assembly.

After winning election to the devolved legislature in 2007, she became minister for agriculture and rural development in 2011, and minister of health in 2016.

It was here that she served notice of her liberal philosophy, lifting Northern Ireland's ban on gay men donating blood.

O'Neill became the party's leader in the north in 2017, following the resignation of veteran republican and former IRA commander Martin McGuinness.

She became deputy first minister in the Belfast executive in 2020, sharing power uneasily with the Democratic Unionist Party before the DUP walked out in protest at the UK's post-Brexit trade deal with the European Union.

She lost that position when the executive collapsed in February, but instead will now take on the prize role of First Minister following Thursday's historic win.

The DUP or other unionist forces had always controlled power since Northern Ireland was established in 1921, when the rest of Ireland achieved self-rule from Britain.

And nearly a century after the nationalist party fragmented south of the border during a civil war, it is leading in Irish opinion polls too, possibly bringing the prospect of a united Ireland closer to reality.

O'Neill was married to Paddy O'Neill until they separated in 2014, and has two children. She credits her toughness on being a teenage mum.

"I know what it's like to be in difficult situations, I know what it's like to struggle, I know what it's like to go to school and have a baby at home, and to be studying for your exams," she told the Belfast Telegraph.

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© Agence France-Presse

 
 

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